Jethro Tull – Birmingham Cathedral
It takes a lot to imbue me with the spirit of Christmas, it’s all this enforced jollity and good will to all men that gets my goat, but I must admit that when I left the architectural wonder that is Birmingham Cathedral, I felt at peace with the world. It’s amazing what a couple of pints in the Old Joint Stock and a cheeky large glass of wine in the cathedral’s nave can do.
This concert was part of the Jethro Tull 50th Anniversary tour and for the last ten years or so the band have been putting on concerts in cathedrals around the country to celebrate Yuletide. This year it was Birmingham Cathedral’s turn. All monies raised went to the cathedral’s restoration fund and, in particular, towards the preservation of the wonderful Edward Burne-Jones stained glass window. A worthy cause, to be sure.
One of two baroque cathedral in the country, St Paul’s being the other, and one of the smallest, standing cheek by jowl with the edifices of Mammon on Colmore Row, it made for an unusual and curiously intimate setting for a seasonal and more acoustically orientated Tull gig.
Ian Anderson has had to be inventive in recent years to mask his set of failing vocal chords but there was less need for such subterfuge as he wasn’t having to battle against the might and fury of a prog band at full throttle. A gentler, more relaxed style seemed to suit him better and perhaps this is the direction that he should move towards, if he feels the need to continue to tread the boards.
The band was helped out by the Cathedral choir on a few seasonal ditties which were given the Anderson twist. The set included a generous helping from the 2003 Jethro Tull Christmas album, was sprinkled with a few old favourites, Aqualung in particular was heavily bowdlerised to suit the surroundings, and seasoned with a couple of guest artists.
Violinist, Anna Phoebe’s version of Bowie’s Ashes to Ashes and the breathtaking Celtic/Moroccan fusion that was Babouche were stand outs as was Bach’s Toccata and Fugue, started off on the stentorian cathedral organ and finished off in style by Florian Opahle on lead guitar.
A splash of celebrity star dust was provided by Loyd Grossman who thrashed around on lead guitar as well as treating us to some words of wisdom from Henry Wadsworth Longfellow. I could easily have done without him but that may just be my taste buds.
Anderson knows how to put on a show and is beginning to acknowledge the effects of anno domini – he did seem to take more of a back seat and happier to let others share the limelight.
A lovely, uplifting evening and the Cathedral is a few steps nearer to getting those windows restored.
Hey! Santa! Pass us that bottle, will you?