A review of Juggernaut by Alice Campbell – 230210
Originally published in 1928 and now reissued by Dean Street Press, Juggernaut was the debut novel of Anglo-American crime writer, Alice Campbell. It was an enormous success either side of the Atlantic on its publication and was made into a film in 1936 with Boris Karloff playing the part of the sinister and menacing society doctor, Dr Santorius, and subsequently in 1949 under the title of The Temptress. It is set in Cannes.
This is the third of Campbell’s books that I have read and there is already a discernible pattern, an ingenue from North America trying to make their way in Europe and at the mercy of more worldly-wise Europeans, the odd murder or two and a romance thrown in. As I have said before, her books are the offspring of an encounter between Henry James and Patricia Wentworth.
There is no getting away from the fact that it starts slowly. Campbell has given herself a lot of work setting up the plot, firstly introducing to Esther Rowe who has just arrived in Cannes and is looking for some paid employment, then the gloomy and brooding society doctor, Santorius, and then the Clifford household. It takes some time to bring these elements together, but the reader should hold their nerve, and exhibit some patience as once the action begins, it is both thrilling and psychologically taut.
Inevitably, Esther accepts a position at the Santorius clinic. Celebrating her success, she goes to a swanky restaurant where she overhears a conversation in which a young man tells his companion that he has accepted a job in Argentina, and she clearly does not want him to go. Little does Esther know that she has been introduced to two of the characters that will put her life in danger, Arthur Halliday and Therese Clifford.
Soon afterwards, Santorius announces that he is temporarily closing his clinic to accept a position as full-time physician in the Clifford household, where the successful and wealthy businessman, Sir Charles Clifford, is unwell, suffering from amongst other complaints a bout of typhoid. Esther agrees to join him as a day nurse.
Soon after joining the Clifford household, Esther begins to notice some odd goings on, not least the regular attendance of Halliday who seems to be courting Therese, Sir Charles’ second wife, and Therese’s insistence, despite not paying attention to her husband, that she gives him his daily milk. Santorius, who is keener on research than being a medical practitioner, has been researching into antidotes for typhoid and tetanus seems more than handy with the syringe. After one injection Sir Charles’ health deteriorates and he dies from tetanus.
Soon Esther put two and two together and realises that Sir Charles has been effectively murdered and that Santorius and Therese are in cahoots. This puts her life in danger and she is drugged and incarcerated, only to escape in a dramatic and, perhaps unlikely fashion, to bring matters to a head. Her blossoming romance with Roger, Charles’ son, gives her both moral courage and an ally in a hostile camp.
Juggernaut is an apt title, a machine that once it gets goings, tramples all before it, an appropriate description of not only Santorius but also the book itself, which once it has obtained momentum, there is no stopping it. However, Campbell could be accused of mixed imagery as often she likens the sinister doctor to a python. A cursory knowledge of French is handy as some of the dialogue, especially involving Therese, is in French without translation, an unnecessary attempt at verisimilitude.
It is easy to see why this book was popular and why it made for gripping cinema. In form it is more of an inverted murder mystery as the culprit is evident, the more pertinent questions being why and whether they would be caught. It is well worth reading.